Transmissions

Documentary, Sound Art, Radio Lucia Scazzocchio Documentary, Sound Art, Radio Lucia Scazzocchio

Running the Goat

Chris Brookes (CA 2005)

Chris Brookes (CA 2005)

25 min

On July 2, 1992 the once-gigantic Newfoundland cod fishery was shut down. Twelve years later, 70,000 people had left, and coastal communities were struggling to survive. The blow to the culture was as dramatic as the economic effect, but how do you measure cultural change? Perhaps with a centuries-old Nfld “set dance”.

Celebrating the life and works of the late Chis Brookes.

Produced by Chris Brookes - Battery Radio

First broadcast by Radio Netherlands April 24, 2005
AWARDS: Third Coast Festival 2005. Grand Prix Marulic 2006


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Sound Art, Montage, Plunderphonics Lucia Scazzocchio Sound Art, Montage, Plunderphonics Lucia Scazzocchio

Eggblood

Mouth In Foot (UK 2020)

Mouth In Foot (UK 2020)

39 min

Teetering on a tripwire between the Priest and the Para-Medicinal Urinal, this work of recorded material plundered between 2018/20, composed September(21) during a locked in covid syndrome. Incorporating inter personal archive spanning 25 years of ripped and clipped sounds, real-time recordings, covert mobile conversations and live synth.
This audio work focuses on memory, nostalgia, psychosis, faith and satire, pushing and pulling the process of sampling, collage, cutup techniques and repetition into shattered fragments from some knackered audio pen-womb-man-ship shape shift...

Originally broadcast on Radiophrenia 2020

Produced by Mouth In Foot


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Memoir, Sound Art, Music, Performance Lucia Scazzocchio Memoir, Sound Art, Music, Performance Lucia Scazzocchio

The Juggler

Bridey Addison-Child (UK 2023)

Bridey Addison-Child (UK 2023)

16 min

A sonic meditation on juggling. There is of course the physical act of throwing balls (and not stones) in the air but of course juggling contains so many other metaphores for how we manage different aspects of our lives.

This piece was originally performed live onstage as part of an event for In The Dark

This piece was originally performed live onstage as part of an event for In The Dark founded by Nina Garthwaite, and run by Talia Augustidus.

Featuring Lucy "Juggles" Eden
Sound designed by Bridey Addison-Child
Violin by Alexander Tay


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Field Recording, Phonography, Sound Art Lucia Scazzocchio Field Recording, Phonography, Sound Art Lucia Scazzocchio

CoMute 6

Phaune Radio (FR 2023)

Phaune Radio (FR 2023)

18 min

Daydreams are easier than it steams between two stops, letting ideas grow between the lines, keeping track.
Glide happily from station derailing time and then getting back on track.

From platform to platform, we glide through these daydreams following a thread thanks to a cat helping to choose the right path. Have you forgotten anything?

Listening with headphones recommended • Binaural recordings

Produced by Phaune Radio
Featuring:
Gaston Bachelard.

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Sound Art, Montage, Plunderphonics Lucia Scazzocchio Sound Art, Montage, Plunderphonics Lucia Scazzocchio

What's Rangoon To You Is Grafton To Me

Russel Guy (AUS 1978)

Russell Guy (AUS 1978)

45 min

What's Rangoon to you is Grafton to me, a psychedelic road journey from Brisbane to Sydney written by Russell Guy and featuring the voices of James Dibble and Russell Guy. The story is a quintessentially Australian gonzo rant, tracing the narrator's twisted journey down the East coast of Australia. He was the perfect hitch-hiker: entertaining but mute in all the right places. 

 Back in the 1970s,  ABC veered off the beaten path with a new experiment: Double J—a youth-oriented radio channel operating on a derelict AM transmitter in a bomb shelter. One of the channel's more live-wire DJs was a surfer-poet called Russell Guy. His crazed, ad-lib breakfast shows broke all the rules of broadcasting. In 1978, Guy decided to see if he could turn a short story about a summer hitch-hiking adventure from Brisbane to Sydney into a radio play. What's Rangoon to You is Grafton to Me ultimately went on to become a cult classic.

Written by Russell Guy
Narrated by James Dibble
Produced by Graham Wyatt


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Sound Art, Field Recording, Montage Lucia Scazzocchio Sound Art, Field Recording, Montage Lucia Scazzocchio

Wochende (Weekend) 

Walter Ruttmann (DE 1930)

Walter Ruttmann (DE 1930)

11 min

Wochende was presented in theaters as a sound-only experience. No images were projected on the screen. The 11 minute of music fragments and sounds represent a weekend in Berlin, including Saturday afternoon at a factory, a night in the city, a pastoral Sunday, and the city returning to work on Monday. The effect was a sonification of the visuals one would expect from a film, but a film without images.

Wochende, as a sound narrative, was also broadcast on radio and so is sometimes referred to as a radio play. In that context Wochende may be the first significant recorded experiment with montage for radio

Producer: Walter Ruttmann


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Sound Art, Montage, Music Lucia Scazzocchio Sound Art, Montage, Music Lucia Scazzocchio

The Dreams

Delia Derbyshire and Barry Bermange (DE 1964)

Delia Derbyshire and Barry Bermange (UK 1964)

45 min

The Dreams is one of four programmes "Inventions for Radio", this is surprisingly modern collection of spliced/reassembled interviews with people describing their dreams.

The BBC Radiophonic Workshop provided a base for a series of exceptional composers and sound designers but none of them generated quite the same level of interest and fascination as Delia Derbyshire.

Delia's editing and repetition, together with her dissonant, often terrifying musique concrete soundbeds, make this distinctly uneasy bedtime listening.

Producers: Delia Derbyshire and Barry Bermange


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Oral History, Music, Sound Art, Field Recording, Archive Lucia Scazzocchio Oral History, Music, Sound Art, Field Recording, Archive Lucia Scazzocchio

The Solitude Trilogy: The Idea of North

Glenn Gould (CA 1967)

Glenn Gould (CA 1967)

56min Episode 1 of 1

A visit to the archives with Canadian pianist Glenn Gould's landmark radio documentary, The Idea of North, first aired on CBC Radio in 1967.

In his boldly experimental program about the Canadian north, the pianist used a technique he called "contrapuntal radio," layering speaking voices on top of each other to create a unique sonic environment situated in the space between conversation and music.

The North provided Gould with an ideal subject matter for exploring the condition of solitude.

"hybrids of music, drama, and several other strains, including essay, journalism, anthropology, ethics, social commentary, and contemporary history." 

 The densely layered radio pieces presented a real challenge to audiences at the time, and they still do. Yet their enduring cultural impact — a rare feat for radio programming — speaks to the inspired balance of music and meaning that Gould was able to achieve.

Composed by Glenn Gould

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Sound Art, Plunderphonics, Abstract Lucia Scazzocchio Sound Art, Plunderphonics, Abstract Lucia Scazzocchio

Chop 10

Tarikh Korula (US 2005)

Tarikh Korula (US 2005)

4min

Exploiting the techniques of current commercial radio practice, <em>Chop 10</em> re-mixes a live, dynamic assemblage of commercial radio streams as a commentary on the current state of regulated radio. As "Chop 10" moves from one Arbitron-rated Top Ten radio station in New York City to the next, the hyper "scan" makes it impossible to discern any single station's content, resulting in a jumpy, never-ending parody of commercial radio.

Producer: Tarikh Korula


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First Person, Sound Art, Documentary Lucia Scazzocchio First Person, Sound Art, Documentary Lucia Scazzocchio

Dreamt Reality: Sleep Talks

Talia Augustidis (UK 2022)

Talia Augustidis (UK 2022)

15 min, Episode 1 0f 4

Unreality exists where fact and fiction collide. Host Talia Augustidis guides you through four different stories; from dreams and fantasy to curated falsehoods, as each episode wavers precariously between the imagined and the truth.

What happens when a real life relationship gets carried away by dreams? In this episode, Talia gets a glimpse into her boyfriend’s dream world, only to find out she’s not invited.

Produced by Talia Augustidis
Powered by Transmission Roundhouse

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